Exhausthorn merges car exhaust pipes and a buffalo horn: two conceptual and material sources engineered by Papandreopoulos into a complex sculpture that produces an ancient, haunting sound when played like a trombone.

Its dragon-like form, with two horn-like antennae around the neck, draws on the Celtic carnyx. Its elongated anatomy and physically demanding interaction foreground masculine performativity.

Alongside the artist’s audio works, the sculpture extends the exhibition’s sensory field and adds an experiential dimension to the work.